There are times when tango brings people prolonged angst. If you find yourself constantly complaining about the frustration you feel from tango, read on. Sometimes the pain comes from things within our control – and it’s up to us to decide whether to change, or move on.
#1. Expectations. The easiest way to suffer constant disappointment is to have expectations. You cannot expect the best dancers to seek you out. You cannot expect organizers to run events the way you want. And you cannot expect people to dance differently, act differently or be who they are not. Expectations will poison your life with constant resentment. Instead, focus on the real reason we go to a milonga.
#2. Negative self-fulfilling prophecy. If you constantly attribute bad nights to things like, “They are too snobby to dance with me”, or “I don’t get asked to dance because…”, you are single-handedly poisoning your own life. Our words, thoughts and beliefs create the experience we have in life. It’s called the Law of Attraction and it’s one of the most powerful things you’ll encounter in life. If you won’t change the victim mentality, you will never find true fulfillment in dance – or life. This often bleeds into #3….
#3. Not taking ownership. Some people have no idea why they sit out more than they like or get passed over by desired partners. Sometimes it is due to things we can change. We can fix poor balance, improve our technique and correct our embrace. Sometimes it’s as simple as being friendly and more social. Failure to ask for honest feedback (or work with a pro) may mean you never know why others avert their eyes when they see you. If you are paying $15 to sit all night and leave mad, it’s up to you to figure out why.
#4. Not investing. Whether you want to perform or simply social dance, tango does take work (practicas, solo practice and practice partners!). Social dancing requires us to learn the art and technique of feeling enjoyable in another person’s arms. We all have to work at it. Sometimes misery comes from not knowing how to do something skillfully and being held accountable for that. If you aren’t investing much into it, you may end up dancing mostly with people who don’t invest either. If that’s okay with you, great! If it’s not… change what you are doing or move to a dance style that is more forgiving.
#5. It just isn’t fun anymore. There is an awesome world outside of tango. Some people might be more at home in dance communities such as swing or ecstatic dance, which allows a completely different kind of expression and playfulness. Some people never fully connect to the music, tango culture or the community they are in – and that is okay! Tango isn’t for everyone. If it doesn’t feel like home, it probably isn’t. Find the community or style that nourishes your soul.
Tango is not a free ride. It asks for our commitment, our vulnerability, our heart and soul. Simply dancing tango entitles us to nothing. I have been constantly humbled in this journey. And I’ve learned that I’d rather be humbled (and make changes) than quit.
I’m in a room filled with enthusiastic dancers and one self-righteous critic. She leans in close and mutters, “No one here can dance”. I smile politely but cringe inside.
When people scoff at how others dance, I want to remind them that not everyone can afford to drop thousands of dollars for private lessons. Many dancers are struggling to get by as students or single parents. I started dancing when I was in grad school completing two Masters degrees. Private lessons wasn’t an option for me for many, many years. Most people would love to invest in their dancing, but it isn’t always feasible. It isn’t fair to mock people who have the passion but don’t have the financial means to do the kind of training others do.
Let’s also not forget that most of us get into dancing just to have fun. Not everyone seeks to compete or perform. Some dance to be more expressive or playful. Some are experimenting with new concepts and ideas. Not everyone wants to dance the same way or the same style. Others seek to innovate, not recreate… and let’s be honest: innovating and experimenting is a wonky looking process, and everyone deserves a safe space to explore and create their magic.
I realize that the path I’ve chosen for myself isn’t necessarily the right path for everyone else. I love private lessons and practicas and seeking feedback. And yes, I know a lot of people get exasperated by the skill level in their scene and wish their peers would train more. However, if I want to raise the level in my scene, I need to be someone who inspires and helps others, not shames them or shuts them out. Serious dancers have the power to create glass ceilings in their community and they have the power to break them.
It’s easy to get self-righteous as we progress. I know several beginners who grew very critical of others once they got serious with their training.
When I find myself falling into judgement, I know it’s ego (which is driven by insecurity) sparking that. I turn my attention inward to focus on how I can better my dancing – or how I can help support others along their journey.
Dance communities are small. So much is gained by being kind, supportive and helpful of one another. I’m less interested in judging what my peers are doing and I’m more interested in finding ways I can inspire or invite people to explore new concepts and ideas along with me.
And I love sharing what (or most importantly, who) has been helpful for me. Serious dancers and scene leaders can gently offer guidance to those who are struggling, lost or going down the wrong paths for the result they seek.
True scene leaders help each other UP the ladder, not kick them down to the ground, block the ladder or scoff at how no one knows how to climb a ladder. You never know why people are where they are and why. It’s worth staying humble and kind. ❤
We may never know what issues people are facing which make them think, act and react in certain ways. Be helpful rather than judgmental. – Mufti Ismail Menk
I was just about to leave for my first big tango festival when a message popped up on my phone. It was from a skilled dancer raving over the amazing followers and how every dance was the “best one ever”. Then he said how excited he was to dance with me that afternoon.
My excitement shifted – without a clutch – to anxiety. Was I going to be totally out of my league? I had been working on my tango but I still had much to learn. I didn’t want to disappoint any kind-hearted, unsuspecting leads who took a chance on an unknown girl. First impressions matter – especially in tango.
That weekend, I felt this anxiety pulsing through my body with every guy who asked me to dance. Sure, the dances were amazing for me, but were they amazing for my partners? Because I truly cared about that.
My focus when dancing is on giving and creating. I seek to give perfect balance, timing and responsiveness. I seek to create a moment with my partner that leaves them feeling awe over what just transpired between us and the music.
That level of giving and creating takes time and work to master. Meanwhile, I wrestle with the insecurity of knowing that I’m not there yet.
When I began tango I discovered something terribly awkward. With it’s complex technique, requisite intimacy and demand for total vulnerability, tango makes people insecure. Could I get truly comfortable with being raw, vulnerable and (gasp) – imperfect in this unforgiving dance?
I could handle being raw and vulnerable – hey, I was once naked on stage. But the idea of people politely suffering through dances with me while making mental notes to avoid me for the next decade was unacceptable.
I am secretly obsessed with how I feel to my partner. I never want a lead to feel burdened by a lack of balance, or thrown off by bad timing or wonder how to control something that doesn’t listen and moves on auto-pilot. The insecurity is a result of how much I care about how I affect my partner and what we are collaboratively seeking to do.
Insecurity drove me to action.
Therefore, I work regularly with a pro. I insist he is brutally honest when training me. I attend weekly practicas (and probably annoy the leads with how much I ask how something felt or what would make it feel better). I ask for specific feedback. I assume nothing because I’ve been surprised in the past. Insecurity has kept me open to growing. It drives me to root out and fix everything that doesn’t feel good to a partner. Insecurity drives me to take an experience and seek ways to make it better.
This all served to help build greater confidence. However….
Confidence carries an ugly risk – assumptions. Sometimes we get so comfortable or confident that we get sloppy over time without realizing it. Or we think we know more than we truly do. A “good” embrace isn’t the same as a “phenomenal” embrace. Everything can be done better with new layers of technique.
As I develop confidence in an area, I keep it on my radar to check regularly with practice partners and my pro. I’ve grown sloppy two weeks later on something I thought I had nailed down.
So perhaps a dash of insecurity is a good thing after all… something to keep me humble and driven to stay on top of my game. A few weeks ago, I travelled to a festival out of state and had a drastically different experience. I felt confident. I felt humble. And even though I felt that tinge of insecurity, this time I knew what to do with it. I embraced it.
I want to share a personal story about dance spirit.
This weekend I received an unsolicited, catty remark from a “professional” about my tango dancing. Had I been a total beginner, that remark would have left an ugly slash in my motivation and interest in continuing with tango.
Sadly, the remark had it’s intended impact and left me struggling to find the confidence I have been steadily building. I felt deflated and I questioned whether I truly have what tango requires of me.
Saturday night I was at a milonga and a favorite nuevo song came on. I turned to the first man I saw and anxiously asked, “Do you like nuevo?” to which he wordlessly swept me onto the floor in an embrace that honestly, left me nearly breathless. Apparently, I had asked a lead who was a solid milonguero.
I remember making a stumble during that dance. I immediately apologized for my sloppiness – to which he murmured a warm reassurance that lifted my confidence back into flight.
This man, Mahmoud, exuded class. He slipped away before I could thank him not only for such a lovely tanda, but also for being such a gentleman. This man appeared when my dance spirit was feeling a bit broken. His kindness and willingness to embrace me unconditionally for where I am in my dance journey restored my faith that I am part of a community with a warm heart…. and not just self-righteous egos of superiority.
Tonight, I returned to my weekly practica with my teachers, whose support and generous guidance flood me with inspiration every week. I feel them looking at me with excitement, seeing my potential, gently pulling it out of me… these two can see within me. They see butterflies of potential beginning to break from their silky cocoons. They see the birth of magic which I have yet to imagine is possible for me.
Tango, being such a profoundly intense and complex dance, has one inherent weakness. It can create a tremendously vulnerable dance spirit, which can be easily broken. It’s why people commit to and quit tango over and over and over.
The delicacy of one’s dance spirit should not be forgotten. – Karen Leigh Kaye
The scene leaders in our tango community have an unfortunate power that bears great responsibility. They can nurture ones dance spirit – or poison it to an untimely death. Sadly, I see too many cases where dance spirits are broken or mangled by behaviors driven by insecurity, sheer meanness, exclusion, self-righteousness or delusions of superiority.
Perhaps the true masters of tango have conquered the greatest challenge tango confronts us with – the challenge to be true gentleman and women of grace and class – to everyone seeking the heart of tango.
When beckoned to choose between throwing dirt and judgement – or casting light and love, choose wisely. For this may be where the true future of tango lies.
I have a friend who picked up dancing and immediately jumped into taking as many classes as he could. He was at the studio five nights a week, taking 2-3 classes a night. He wanted to learn as much as he could in six months.
Six months later, despite taking many intermediate and advanced classes, he still could not execute the basic movements cleanly. He only had a few moves that he remembered and could lead. His posture and body organization was a mess. At the end of six months, he had a beginner skillset with an intermediate ego.
This guy didn’t need more classes. He needed feedback. He needed to practice what he had learned. He needed feedback from his partners and perhaps guidance from professionals hosting practice sessions. He needed active discussion with honest practice partners.*
This is exactly what I crave in my dance community because I need all those things too. I don’t want more classes and workshops. I need time to work on what I already know. I need to work on the things I learned in my private lessons but haven’t integrated or refined in my social dancing.
We don’t need more classes. We need more practicas with active discussion and feedback between partners.
People can only absorb so much information at a time. Information overload is fatal to effective learning. If you can’t retain it or execute it, it’s useless. In some cases, we create delusions of learning where people only retain information on a very shallow level. They can recite what they learned, but can’t execute it smoothly for 10 minutes on the dance floor with a variety of partners.
I fully believe that the true learning doesn’t happen in a class; it happens on the social floor. It happens when you are practicing with a partner. It happens during your experimentation and exploration.
We don’t learn by listening to a lecture. We learn by taking things into our own hands and practicing… and discovering what feels best to us… and adjusting based on the result we get from that experimentation. And with a partner, you get the benefit of direct feedback.
The best practices of learning apply whether you are learning how to tackle an opponent, design a logo or do the mambo. Learn new information. Then dedicate time to playing with it, experimenting with it and integrating it. Seek out feedback, make adjustments and experiment some more.
And as any learning professional can tell you, that is where the true magic, the big epiphanies, and the real learning happens.
* Feedback and discussion isn’t one-way teaching. Regardless of skill level, both people should seek feedback from others in any learning environment. Make no assumptions!
Last week I jumped into a beginning tango class when I noticed they were short on followers. The first guy I rotated to looked at my fancy-schmancy tango shoes and said, “You’ve done this before”, to which I affirmed. He lit up and say, “Great – I’m in good hands then”.
I saw a slight buzz kill when I smiled and said, “Actually, I will follow exactly what you lead. Otherwise, you won’t learn anything.” I was kind – but intentionally blunt – so he understood my intention. He got it right away and smiled with understanding when I only did part of what he led. Later he thanked me and expressed how helpful that was.
Most ladies show up in a class and execute the move – regardless of what the lead does. The ladies do their part, the lead does his but they aren’t connected. They just happen independently of each other at roughly the same time so it ends up looking like a successful execution. At the end, the lead is smiling because he thinks he did it right and the girl is making a mental note to avoid this particular guy once open dancing starts.
Basically, the guy pays $15 to develop delusions of competence. And we wonder why people don’t get better despite all the classes they take.
So ladies, speak up. Tell the lead what you are feeling. Class time is feedback time. If you didn’t truly feel the lead, tell him that. Ask him to give you a stronger lead. If you don’t know what was wrong, ask him to experiment together on various adjustments.
Leads, if she didn’t execute what you expected, ASK HER what she felt. Don’t assume she just didn’t do the move correctly. Please seek to understand what she experienced especially if you’re not sure why it didn’t go right.
Did she feel the lead?
Was it clear enough?
Did she feel it was safe to execute?
Was she able to execute her part?
Followers don’t execute moves for a variety of reasons – and not just because we are confused, incompetent or thinking about unicorns. If I don’t feel safe doing it (i.e., the guy is trying to dip me but I sense he doesn’t really “have” me) I’m not going for it. Sometimes the guy has me on the wrong foot when he starts the big move. Sometimes he feels so ungrounded I’m just trying to protect myself from falling over. Sometimes he’s skipping a critical part that my movement is contingent upon. Those little things might render me “unable” to do the move.
So ladies, tell him what you need if something isn’t working. Focus on what you want or need instead of what he did wrong.
I believe in being an honest follow by following precisely what is led (yes, this will frustrate the lead, but no one said learning is easy). Being a true partner means actively contributing to both people learning the move and the technique being taught.
Remember, if the guy isn’t leading a move correctly, you aren’t able to learn the move properly either. Participate. Communicate. Help the guy figure it out with you so you both get something meaningful out of the class. Because that’s what you are both paying for. Unless you really are just seeking delusions of competence.
I currently have a front row seat to a train wreck between friends. “Susie” just had the jarring experience of hearing exactly what “Jenny” honestly thinks of her. She got told off. In detail. Thanks to the miracle of merlot, it came out pretty much totally raw and unfiltered. Unfortunately, every ounce of it was dead on accurate. Even wine doesn’t change facts.
Consequently, Susie was furious and offended. She dismissed every single thing Jenny said to her. Her new mantra was “I don’t need haters in my life!”.
So last week, I called Susie. I wanted her to see that Jenny’s harsh words were actually a gift – not swords. This was an invitation for Susie to take a hard look at herself and seek to understand where these things might be true for her. Much of this had its roots in old wounds that were bleeding uncontrollably into other areas of her life. If she dismissed them, they would stain her world – damaging the very things she held dear to her.
Things are only bad when we don’t like what is being said. If we take the ego’s reaction away, we oftentimes find that harsh words – as jarring as they may be – can be powerful insights to make us look at things that are holding us back.
We have to own our own stuff; even the ugly stuff. Christine knows she can confront me with things that I don’t want to hear. No matter how much I disagree and resist, I have learned to seek to understand where her insights are coming from. And oftentimes, I end up agreeing with her. She helps me see my own truth, which I don’t always like.
Dismiss it or fix it – It’s my choice. Fixing it has made me a better person every time.
I know we all want a complaint-free world. But people complain – and thank god they do. Sometimes complaints are totally legit. Recently I gave feedback to a manager at a restaurant about a pattern of waiters who were chronically confused/drugged/distracted by imaginary unicorns. Yes, it was a complaint. But it was also impacting her business. Saying something was a gift that granted her the chance to fix it. If I were the owner, I would rather hear brutally harsh feedback than have my business die and not know why.
If people tell me how perfect I am, I have zero motivation to change or grow. In my business, complaints are always gifts that push me to figure out how to do things better. I’ve never improved anything by just having my ego stroked. So I welcome feedback – and I don’t care if it is a complaint or negative feedback.
I’m learning not to see things as “good” or “bad”. I love the concept that everything in life is simply a tool. The same hammer can be used to build a home or assault a person. A flower can bring beauty or allergies. The tool itself is neutral; how we use it is what changes our experience of how we feel about that tool.
Words are tools. They can be swords or gifts. It’s our choice how we receive them. I choose gifts.
Karen Kaye – December 10, 2014
It’s a major dilemma every time. You see someone struggling and you can see exactly what the problem is. Do you say anything or not?
There is an unfortunate “best practice” of life that says that if you haven’t been asked for your advice, keep it to yourself.
My big struggle is keeping my mouth shut. The more skilled, knowledgable, experienced and wiser we get, the more we want to help the struggling, confused and oblivious ones, right?
*sigh* It’s not our job to tell others how to fix their lives. Not unless they ASK for our help, guidance or advice. And doesn’t it seem like those who need it most are the ones who don’t think anything is wrong?
That’s when I realized the value of asking for guidance even when I don’t think I need it. Even though I usually welcome uninvited feedback, I also actively seek it out. Everyone has something to teach you. Matthew Ferry advises us to find the person you resist most because that person has the most to teach you. I believe he is right.
As a partner dancer, I dance with a lot of people who can give me immediate feedback. Even though I’m pretty confident as a dancer, I frequently ask for input on what I’m doing and how I feel to them. Thank goodness I do that… Shockingly, it turns out I’m not perfect.
If someone out there is living the life (or mastering the skill) you dream of having, ASK them how they do it. ASK for their expertise. ASK for their recommendations. Most people LOVE offering advice and will do so kindly and compassionately. Everyone loves to share their “secrets” to success.
With the exception of this blog, which ironically, is filled with uninvited advice, I’m really working on asking more and saying less. Which can be painfully hard to do, especially when you feel like you’re really starting to figure things out. The reality is that I still have SO much to learn.
The best part? When more people embrace asking, those with a wealth of knowledge and experience can finally offer the help they long to give.